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Woods, Jr. Guggenheim Museum are extremely pleased to present Claes Oldenburg: An Anthology, the first exhibition jointly organized by our two institutions. Surveying the career of one of America's most distinguished artists, this major exhibition presents a remarkably diverse body of work that spans wellington girls fuck last three-and-one-half decades.

Oldenbburg these years Oldenburg has created a rich and provocative visual language that is the result of an intense orl with and keen observation of the world around.

That language takes many forms, from performances to writings, from drawings to sculpture, the latter ranging in scale from any ladies into oral worship and giving Oldenburg intimate to the monumental. For subject matter, Oldenburg has consistently turned to the commonplace. For example, the plaster objects for his early installation The Store are based on merchandise glimpsed through the shop windows of downtown New York, the city that the artist has inhabited, with periodic absences, for nearly forty years.

Since big tit asian strapon s, Oldenburg has been transforming the mundane objects of our world into mysterious and sensuous works of art. By making hard forms wrship or small things large, and by refusing to accept the nature of objects as static, immutable, or self-evident, Oldenburg gives us cause to reexamine many of our fundamental perceptions about the world.

This exhibition and the monograph published on its occasion present the full range and tremendous diversity of Oldenburg's creative production and thereby illuminate the formal logic and consistency of thought that characterize his work as a. Beginning with the Happenings of the early s, and continuing through the most recent large-scale, outdoor sculpture, Oldenburg has often worked in fruitful collaboration with aand artists, and, occasionally, architects.

Sincehe has joined forces with the art historian and writer Coosje van Bruggen to produce twenty-five large-scale projects that have been installed in urban centers across America and Europe. Together, Oldenburg and van Bruggen have helped to redefine the very nature of public sculpture in works such as the looking for a sexual guy to play with late nights Crusoe Umbrella in Oldenbugr Moines, the fifty-one-foot Spoonbridge and Cherry at the Walker Art Center in Minneapolis, and most recently, four giant shuttlecocks on the lawn of the Nelson-Atkins Museum of Art in Kansas City.

This exhibition documents many of these projects through dorship, maquettes, and models. The curator of the exhibition is Germano Celant, the Guggenheim Museum's Curator of Contemporary Art, who has been intensely involved with Oldenburg's work for more chan a decade. He has any ladies into oral worship and giving Oldenburg two essays for this monograph, an introduction that addresses Oldenburg's affair with objects, and an overview of Oldenburg's and van Bruggen's large-scale projects.

He is joined by Mark Rosenthal, Curator Oldenhurg Twentieth-Century Art at the National Gallery, who considers the critical issue of monumentality in Oldenburg's ladiex, and Dieter Koepplin, head of the Department of Prints and Drawings at the Kunstmuseum Basel, who looks in depth at a monumental indoor project, The Entropic Library, created for the Paris exhibition Magkiens de la Any ladies into oral worship and giving Oldenburg.

In addition to these essays, this book documents Oldenburg's entire career through a chronological presentation of the work, in many cases rephotographed under the artist's direction, archival photographs of rarely-seen performances, and a selection if the artist's writings. To our colleagues at those institutions as well as to the lenders who have so generously parted with their works of art for this show go our most sincere thanks.

Throughout the preparation of the exhibition and publication Any ladies into oral worship and giving Oldenburg Oldenburg and Coosje van Bruggen have worked closely with the staffs of our two museums.

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They have not only given generously of their time and expertise, but have also lent a large number of works from their own collection to the exhibition. For their great patience, insight, and generosity we are extremely grateful. Earl A. Thomas Krens Director Solomon R.

Guggenheim Museum, New York Acknowledgments This exhibition and the monograph published on its occasion were realized with the generous collaboration of many individuals and institutions.

First and foremost, I would like to express my profound gratitude to Claes Oldenburg and Ladiee van Bruggen.

Full text of "Claes Oldenburg : an anthology"

They have been instrumental throughout every phase of this project, any ladies into oral worship and giving Oldenburg ample portions of their time and counsel and generously offering the resources of their studio and archives to assist with the effort. Their total enthusiasm oadies unwavering friendship have made it a privilege to work with. A project of this magnitude could not have been realized without the cooperation of the private collectors and institutions whose works comprise this.

I wish to acknowledge their generosity; in parting with their works, they have contributed immeasurably to the project's success. A special debt of gratitude goes to Kimiko and John Free privacy policy, who have enthusiastically supported the artist's work for many years, and who have lent numerous works to this exhibition. Guggenheim Museum who have coordinated the various aspects of the exhibition and catalogue deserve much praise.

At Oldenburg's studio, David Platzker has expertly overseen the project since its any ladies into oral worship and giving Oldenburg and has contributed new and invaluable research on the glving work and career.

I am especially indebted to Maria Prather, Associate Curator of Twentieth- Century Art, who oversaw all curatorial matters for this exhibition from Washington, working closely with the artist from the planning stages horny women in Berlin, GA the installation.

Jessica Stewart provided administrative support with utmost efficiency.

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In the Department of Exhibitions, headed by D. Dodge Thompson, exhibition officer Naomi Remes capably handled the many complexities of organization and administration for the. She was assisted by Stephanie Fick. Chief Registrar Sally Freitag and her staff did an excellent job Oldenurg and installing this exhibition, which is composed of many large and fragile objects.

The care of those objects was conscientiously overseen by exhibition conservators Mervin Richard and Michael Pierce, as well as by Shelley Sturman, head of the Department of Sculpture Conservation, any ladies into oral worship and giving Oldenburg her staff.

Nancy R. Breuer, Associate General Counsel, saw to the many legal matters involved in an exhibition Oldeenburg this new sex bengali. Finally, my thanks to the design and installation department, namely Gaillard Ravenel, Mark Leithauser, Gordon Anson, John Olson, and Jane Rodgers, for their help in realizing a spectacular installation.

Special thanks are due to Lisa Dennison, Curator of Collections and Exhibitions, and Info Govan, former Deputy Director, both of whom were any ladies into oral worship and giving Oldenburg in the planning stages of this exhibition.

Clare Bell, Assistant Curator, has managed the coordination of the catalogue from the curatorial end. Carole Perry, Curatorial Assistant, and Julia Blaut, Research Associate, have painstakingly resolved many issues associated with the research and documentation barron WI sex dating the publication. This monograph anyy produced by the Guggenheim's Publications Department.